First things first: WHAT HAPPENED TO S. D. THAMES?
This Christian author produces a string of extremely good mystery novels, and then he just disappears. Sometime around 2018, as far as I can judge. Maybe he was a victim of Covid. Maybe he decided novel writing was too time-consuming a hobby. Maybe he’s left his legal career and become a missionary. All I know is that a web search tells me he doesn’t seem to have died.
It’s kind of like a mystery story where a detective is trying to locate a missing person, goes to his home town, and everybody denies ever knowing him.
But that’s not important to this review (except to warn you that another installment in this very good series doesn’t look to be forthcoming).
Okay, now that that’s off my chest, I’ll review Be Still My Soul, a prequel novella to the Milo Porter mysteries. It tells how our hero first got into the private eye business.
Milo is a veteran of the War on Terror, in which he enlisted to avenge his father, a victim of 9/11. He came home suffering from PTSD. He’s seeing a counselor and taking medications, but sometimes he still has hallucinations. He’s gotten a job as a process server, which brings him to a rundown, stinking house in rural Florida, where an old woman knocks him unconscious with a frying pan.
His situation gets worse when people who should know inform him that the woman who hit him does not even exist, and he must have hallucinated her. On the other hand, he meets a girl and falls in love at first sight.
The story only gets weirder after that.
I greatly enjoyed Be Still My Soul, and wish it had been a full novel. I wish there were more Milo Porter books too, or just anything from S. D. Thames.
The ever-vigilant Dave Lull, good friend of this blog, sent me the following article from the Wall Street Journal: Five Best Books on the Vikings, by Neil Price. Aside from the obvious defect of overlooking my own work, it’s an interesting list from a man who is no mean author himself.
Just to divert the income stream to our blog, I’ll list the list here:
“But what do you think of the list?” you must surely be wondering.
Well, it’s not bad. The Viking Achievement is a book I’ve treasured for many years. It’s quite an old work now, and when I first read it long ago (while I was writing The Year of the Warrior), I assumed it would be just another historical/cultural guide. I found an excellently researched book, full of stuff I didn’t know already. We’ve had a lot of new discoveries since it was written, of course, and a new book along its lines is badly needed. In fact, I was pretty sure I found one a few years back and reviewed it here, but I can’t find it in our archives.
Valkyrie is a book I do not know. It may be very good. But I’ll tell you the truth – I avoid the whole topic of Viking women nowadays, since feminist scholars have gone all agog over the discovery of a couple women’s graves containing armor. I don’t think anyone can discuss women’s role in Viking society rationally at this point in history. (Myself included.)
I’ve read a couple translations of The Poetic Edda, but I don’t think Larrington’s is one of them. Anyone interested in the Vikings should certainly read one.
I haven’t read The Road to Hel, either. Hilda Ellis (also known as Hilda Ellis Davidson) was a foremost Viking scholar, so I really ought to correct this omission. However, the book appears to be out of print, and used copies are expensive.
Egil’s Saga, of course, I’ve read numerous times and in various translations, including this one. I’ve even read it in the scholarly Complete Sagas of Icelanders, but Scudder is, imho, more readable for the non-specialist
Bottom line: Neil Price knows his business, and this is a worthwhile list. I should probably compile one of my own, though my library is in such disarray right now that it would probably involve a lot of work.
I read a book by Jeffrey S. Stephens and was impressed enough go on to try Illusions of Trust, a book that reads like part of a series, but doesn’t seem to be, as far as I can tell from Stephens’s author page.
There seem to be echoes of both Perry Mason and Nero Wolfe at work here, though the characters are entirely original as they operate. Russell Palmer is a young New York attorney who has lucked into a dream situation. Thanks to an anonymous patron, he’s able to take only the cases he wants, cases where a real injustice needs to be set right. He has a partner named Robbie Wyghte, a smart, retired cop.
When Christina Franco, a wealthy and beautiful socialite, comes into his office insisting he represent her in divorcing her husband, he sees no reason why he should. She has the resources to hire the best divorce lawyers in the business. But she says she needs him because her husband has threatened her life. When she mentions the name of a particular criminal Palmer has tangled with before, a man he hates and wants to bring down, he’s motivated to take her case.
Soon after, a prominent corporate lawyer who has worked with Christina’s senator father commits apparent suicide. Threats begin coming in. Palmer himself is physically attacked. And Christina’s mother asks him to prove that the late lawyer, who had been her friend, did not kill himself.
The whole thing resolved itself in a way that pleased me, with minimal fights and fireworks. I liked the ending. The rest of the book I found just a little low-key. Palmer seemed a fairly dull sort of hero – we’re told he has OCD, but his symptoms are minimal and don’t interfere with him much.
Nevertheless, it was a good story. Good prose, good dialogue, good characters. Worth reading. Some homosexuals show up early on, and the author takes pains to show his acceptance of them, but it’s not a big part of the story.
I’m going to do another post about the Daily Wire’s miniseries, The Pendragon Cycle: Rise of the Merlin, now available on Amazon Prime. I finished watching it on Sunday, and just want to give it another boost.
My opinion has not changed – this is very, very good epic television. The premise, if you haven’t read the books, is that the Faery Folk of Avalon, so prominent in Arthurian legend, were actually refugees from Atlantis, a long-lived race with certain mystical powers. Taliessin, a great British bard with mysterious origins of his own, marries Charis, a princess of Avalon, and Myrddin (Merlin) is their son, whose otherworldly vision sometimes threatens his sanity. His great challenge (accepted only with reluctance) is to unite all the Britons under Prince Aurelius in order to resist the Saxon (Saecson) invaders.
There were a couple of matters I thought I should address. I understand they’ve raised some controversy among Christians. You should be aware that this series is mature material, and probably is not suitable for younger viewers. The series is grittier than the Lord of the Rings movies. The controversial matters I refer to are the traditional ones – sex and violence.
There is sex here – but no nudity or explicit content. We are presented with couples who fall in love and clearly desire each other very much (though Taliessin tells Charis he prefers to wait for marriage “as the Christians do,” which is the rule throughout). We follow them to the bedchamber and see her drop her gown (above the waist, from behind), and then the shot fades in classic Hollywood fashion. It’s very sexy, but chaste, in the precise meaning of that word.
The Atlantean women also dress pretty lightly – though not as lightly as the Minoans their culture is based on.
There is violence here. I have long criticized Stephen Lawhead for being shy about ending his epic stories with good, rousing battles. But that (I think) is the later Lawhead. This series ends with an extended battle, in which there’s plenty of gore. These scenes, in particular, should probably not be viewed by children.
Which leads to my conclusion. The Pendragon Cycle: Rise of the Merlin is Christian art for grownups, handling life issues more realistically than the Christian films you’re probably used to. I approve of this, but some Christians will surely take offense. And it’s not for me to judge them. They must guard their own hearts, and they may be very wise.
For all that, I recommend the series. For those who can appreciate it.
The other day, in discussing author Stephen Lawhead, I referred (jokingly) to my seething envy of his success in a field where I also write.
Yet I am indeed capable of resenting other author’s success. Specifically, when I see that they’re “Amazon bestselling authors,” and observe, in reading their work, that they can’t, in fact, write.
Key West Dead, by Mark Nolan, is part of a series of novels starring Jake Wolfe, a California private eye. A veteran and a PTSD sufferer, he works with his dog Casey, who both calms him and, thanks to his experience as a bomb dog, alerts him to guns and explosives – which turns out to be valuable in this story.
Jake and Casey are in Key West for a wedding when they witness the explosion of a yacht causing the murder of two innocent people, by means of an IED. Infuriated by the crime, Jake, with the support of his partner Terrell and his girlfriend Sarah, embarks on a personal game of wits with the obsessive bomber, whose original purpose was to extort money from the island government but is now at war with Jake and Casey as well.
What did I dislike about Key West Dead? First of all, the author doesn’t know how to write dialogue. His characters all speak the same way, in stilted, lecturing fashion, delivering information dumps in classic “as you know” form. The narrative passages are no better – descriptions and events are described in the most rote and pedestrian ways. For instance:
As Jake listened to Bart’s cultured voice and his articulate, well-spoken reasoning, he was reminded that the man had graduated from Harvard Law School.
This is first-draft writing, with zero effort exerted for vivid impression or original observation. However, people seem to buy these books and to rate them highly, so maybe I’m the fool for trying to be a wordsmith in my own work. There is plenty of action here; often implausible – again and again we see danger approaching, but Jake – warned in time by Casey’s priceless nose – always draws on his resourcefulness to prevent (or minimize) loss of life.
The dog may be the key. Casey is nice dog. Even I liked him.
But I don’t recommend Key West Dead. Unless you’re looking for a beach read that makes no demands whatever on your thinking brain.
I should probably mention that there are a couple positive references to the Second Amendment. So there’s that.
Yesterday, the anniversary of Charlie Kirk’s contemptible murder. Today the 25th anniversary of the terrorist destruction of the World Trade Center in New York City. I have nothing to say that’s worthy of the occasion. So I post above Mahalia Jackson’s performance of “It Is Well With My Soul.” You young people probably never heard of Mahalia, but in the days of my youth she was the queen of authentic Black Gospel music. Listen and you’ll understand why.
I have no moving tale to tell about 9/11/01. My story is just like everybody else’s. Somebody told me about it at work, and we spent the rest of the day following the news reports. Which just got more and more awful. Far away, thousands of my countrymen were suffering unthinkable horror, with no one to help.
If I said any more, I’d get preachy, and I’m not worthy to be preachy on this topic.
May each of them find mercy. And may justice be done.
As you’re likely aware,The Pendragon Cycle: The Rise of the Merlin, based on Stephen Lawhead’s Arthurian novel series, is now available on Amazon Prime. I am watching, and am impressed. This is high-quality filmmaking. I tend to watch movies and miniseries with a skeptical eye, but I honestly didn’t have a single moment where I thought, “They’re cutting corners here.”
I have a conflicted relationship (wholly in my imagination) with author Stephen Lawhead. When I set out to write my Erling saga, I looked around for a Christian novelist who was doing the same sort of thing, and Stephen was all I found. (There may have been others; there was no internet at the time. All I knew was the books I saw in bookstores.) The career I dreamed of involved my gradual advance into parity with him. In my imagination, I’ve been engaged in a zero-sum competition with him every since, and he’s got all the marbles.
There’s a kind of villainous character who shows up now and then in movies and TV shows. I can’t think of an example offhand, but I’m sure you’ve seen such characters. This villain is a small, unprepossessing man, and he’s obsessed with somebody else’s success. “He stole everything from me!” this villain will say. “All that money he’s got, all that acclaim! It should have been mine! I’m the real genius! He stole everything from me!” And then he goes on to describe his diabolical plan to blow up a city, or something.
I’m a little like that guy in regard to Lawhead. I grudgingly admit he was doing it before I did, and I can’t deny he did it (and does it) well. He deserves his success. I have some quibbles with some of his books, but he’s a fine author.
My envy, in fact, is purely envy. It has no rational foundation at all.
Does that mean I won’t urge you to watch The Rise of the Merlin?
Not at all. Please watch it. Recommend it to your friends. Run those viewer numbers up, so there’ll be a second season.
Maybe then the film industry will realize the world is hungry for Christian historical fantasy. And they’ll find me. And I’ll get that movie deal I’ve been dreaming of.
John Carr is primarily a historian of the Mediterranean region. He has taken it upon himself, for some reason, to write a hagiography of Saint Olaf of Norway. His book, The Viking Saint, in my view, provides a cautionary example for anyone who decides to write in a field where they don’t know their way around.
The Viking Saint is a genuine hagiography, a book openly intended to glorify its subject and promote his veneration in the church. (I don’t know that Carr is a Catholic, but he gives that impression). As a result, it’s rather credulous, even for a Christian reader like me. Olaf’s deeds (often autocratic and bloody) are always given the most positive interpretation.
The main source is Snorri Sturlusson’s Heimskringla. That’s an approach I generally approve of, while recognizing that it requires supporting research from other sources. I think Carr uses the wrong supporting material, and not nearly enough of it. On top of that, he frequently misunderstands Snorri.
The book opens immediately with a big historical howler – he claims that it’s plausible that Olaf Haraldsson’s destruction of London Bridge, during his service with King Ethelred the Unready, was the origin of the “London Bridge is falling down” nursery rhyme. It is not plausible. (I explain this in the Afterword to my novel, The Elder King.)
The errors go on and on. He thinks that Olaf’s father, King Harald of Grenland, was raised in Greenland (Grenland is in fact a farm). He takes it for granted that Olaf was a direct descendant of King Harald Fairhair (that’s disputed) and the sole legitimate claimant to the throne of Norway (he wasn’t). He thinks King Halfdan the Black ruled from Trondheim (not true). He thinks Viking slave hunting among the Slavic tribes resulted in the coinage of the word “slave” (it came later). He confuses King Harald Greycloak of Norway with King Harald Bluetooth of Denmark. He thinks Queen Gunhild, wife of Erik Bloodaxe, was killed in the St. Brice’s Day Massacre (it was another woman, possibly fictional). He thinks the Norwegian name for a free farmer, “bonder,” means bondsman.
Carr errs again when he tells us that astronomy has confirmed that an eclipse occurred, as the saga says, on July 29, 1030, the date of Olaf’s death at the Battle of Stiklestad. This is not true – the eclipse came about a month later (I discuss this in the Afterword to The Baldur Game).
In more subjective matters affecting my own area of interest, I disagree sharply with Carr’s assessment of Erling Skjalgsson of Sola. He considers Erling a mere opportunist, a rebellious vassal. He fails utterly to recognize the serious constitutional questions on which Olaf and Erling clashed.
One of the most startling statements I found in The Viking Saint was author Carr’s contention that there were “no political overtones” to the rise of St. Olaf’s cult. It takes a pretty narrow pair of blinders not to notice how the Olaf legend served the political purposes of Norwegians eager to throw off Danish control.
A good biography (even a good hagiography) of Saint Olaf would be welcome. And it’s perfectly legitimate to take a different position than mine on the issue of Viking democracy, as opposed to monarchy. Let a thousand flowers bloom.
But a biography ought to be properly vetted. Actual historians of the period should go over the manuscript to weed out errors that even an amateur like me can find so easily.
The Viking Saint, sadly, is not a book I can honestly recommend.
Jean-Baptiste Mallet ( 1759 -1835), Homer reciting the Odyssey, oil on canvas, 25 cm x 32 cm. Aucitoned at Hôtel Drouot, Paris, April 4, 2021.
Our friend Dave Lull has forwarded me the link to the substack of a writer named Brian Heming, who has embarked on a project to re-cast the Odyssey as a Viking saga in Tolkien style.
I have no idea why anyone would want to do this. But here are the chapters.
I bear Mr. Heming no ill will. But I find I rather resent the whole idea.
It takes me back to the 2006 Robert Zemeckis film, Beowulf. I reviewed it on this blog (lost, I believe, in our migration) concluding that “I didn’t hate it.” I didn’t love it either, though. I thought the animation was weird. I thought Angelina Jolie was completely out of place (stiletto heels, seriously?). But my main objection was that the writer, Neil Gaiman, had taken a Germanic saga and turned it into a Greek tragedy. Saga heroes are taken down by fate, Greek heroes by their own fatal flaws.
My point, in case I’m being obscure, is that Greek legend and Germanic legend are different things. Neither is necessarily better than the other, but they are distinct pleasures, like wine and bread, not meant to be confused.
But you may not care about this. There’s no reason why you should. Read the Viking Odyssey, if you like, with my blessing.
Writing this review, I find myself in the odd position of not remembering what the narrator/hero’s name is. The Amazon synopsis doesn’t say either. Maybe Jeffrey S. Stephens, author of Fools Errand, never tells us that – or maybe I just missed it. But if Stephens held it back, that’s an interesting authorial tactic.
The narrator’s last name, though, is Rinaldi. He comes from a “colorful” New York Italian family. His father and uncles were involved in organized crime – not as kingpins but as lower functionaries. His father, a mercurial, charismatic alcoholic, ran numbers. The story is set in the 1970s, after his father has been dead several years. One day, his mother informs him she has a box of his father’s papers that was meant for him. When he goes through the material, he finds a letter addressed to himself, written not long before his father’s death. The letter tells of something the old man had bragged about many times, when drunk. It speaks – vaguely – about some “Money” that he, his friend Benny, and a Frenchman stole while he was in the army during the war, working on repatriating stolen artworks.
Our hero contacts Benny, who’s living in Las Vegas. Benny gently suggests he leave the whole matter alone, but (knowing he won’t do that) he gives him the name of the Frenchman.
Soon he’s on a plane to Monte Carlo, accompanied by Donna, a young woman he met and struck sparks with on the plane back from Vegas. Once there (where he is shadowed by employees of his mobster cousin Frank, who thinks he has a claim on this “treasure” whose nature he has no clue about) he meets his father’s old friend, and begins to put together the very strange story of his father’s wartime adventures.
Fool’s Errand was, simply put, a really good story. Fascinating. Well-written. Insightful. Suspenseful, but not a thriller. A character study and a love story.
I liked it a whole lot. Jeffrey S. Stephens is an extremely good (and smart) writer. Recommended, with cautions for mature content.
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author
Used to track the user across multiple sessions.
Session
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
These cookies are used for managing login functionality on this website.
Name
Description
Duration
wordpress_logged_in
Used to store logged-in users.
Persistent
wordpress_sec
Used to track the user across multiple sessions.
15 days
wordpress_test_cookie
Used to determine if cookies are enabled.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
A video-sharing platform for users to upload, view, and share videos across various genres and topics.
Registers a unique ID on mobile devices to enable tracking based on geographical GPS location.
1 day
VISITOR_INFO1_LIVE
Tries to estimate the users' bandwidth on pages with integrated YouTube videos. Also used for marketing
179 days
PREF
This cookie stores your preferences and other information, in particular preferred language, how many search results you wish to be shown on your page, and whether or not you wish to have Google’s SafeSearch filter turned on.
10 years from set/ update
YSC
Registers a unique ID to keep statistics of what videos from YouTube the user has seen.
Session
DEVICE_INFO
Used to detect if the visitor has accepted the marketing category in the cookie banner. This cookie is necessary for GDPR-compliance of the website.
179 days
LOGIN_INFO
This cookie is used to play YouTube videos embedded on the website.